Ernesto De La Cruz makes a new friend and re a genuine bout of creativity.

A now grown-up Miguel shares a close bond with his fifteen-year old sister, Socorro. As if history was repeating itself, young Socorro runs away with Imelda and Hector's photo on Dia de los Muertos! After unintentionally stealing some sweet bread from the dead, a suave teenage boy takes her to the Land of the Dead...

A sudden flash of conscience from Ernesto changes Hector's life forever: By letting him have one.

Miguel has just returned home to the Land of the Living and, back in the Land of the Dead, the deceased Riveras are left reeling from the events of Dia de los Muertos, no one more than Imelda and Hector. Their lives changed, the two of them have almost a year to wait until the next one. A lot can happen in a year. Wounds can heal, bonds can strengthen and chances can be taken...

What was it like to walk a path meant for another? What hope lay ahead for a scorned soul that chanced the Marigold Road? On Día de los Muertos, a life was cut short. Months later, another was born anew. Héctor Rivera walked the path of his great-great grandson, living a lie he hoped to bring to grave the second time around. But what was a little lie in the face of a second chance

Une journée parfaitement normale dans la famille Rivera. Tous les adultes s'affairent à concevoir les chaussures de demain. Et assise sur une chaise, une petite fille est très occupée à appréhender toutes ces nouvelles choses, qui font déjà, d'une manière ou d'une autre partie de son quotidien.

Behind all her fiery personality and her role as the matron, Imelda was once a wounded little girl that learnt to stand on her own. A trait that would stick all throughout her life and death. A short character study about Imelda and the reason about her century-long grudge against Héctor and her refusal to hear him out.

Miguel Rivera grew up knowing who his great great-great-grandparents were, caring, and loving. One day, while looking through the family album for a school assignment, Miguel discovered an old marriage certificate. He was related to Ernesto De La Cruz...in name only. What happens when he asks Abuelita about it? Are there some secrets that Miguel didn't know about?

A collection of little one shots - not in any particular order - that all take place after the events of the movie when Hector has been welcomed home to the family and he and Imelda have reconciled. Pure fluff basically! I own nothing, all rights go to Disney Pixar.

Héctor rompió la fuente de la ensalada. Imelda lo manda a buscar otra a la calle, y se da cuenta de que él está algo raro. Este shortfic se corresponde al tema "Disculpas" del FluffTober de Es de Fanfics.

We all know the story of Imelda and Hector - how he left her and Coco and never returned - but little is known about their life together before all of that. What were they like in the early years of their relationship and how did her falling pregnant with Coco so young change things for them? Was raising a baby so young simple? Find out here!

This time the roles are reversed lady Catrina has sent all living in the land of the dead to the land of the living to spend a year with their families but the Rivera's are most excited How they spend the year?

For Imelda, trying to prevent Héctor from coming back into her life is like throwing water into the sea: pointless. With her family keen to accept the strange musician, and a challenge she can hardly refuse, she soon finds herself caught up in the continuation of a romance decades in the making. [Updates every Saturday]

Ernesto's mansion isn't ready when he enters the Land of the Dead, and it won't be for 5 months. The only place he can stay is Héctor's home in Los Olvidados, and Ernesto has to be more careful around his old friend than he ever was when they were alive.

In the Land of the Dead, a series of mysterious earthquakes and a dark fog force that takes family's from the land dead to the place the majority died in this includes the rivera not forgetting Héctor, Imelda, Coco, and the rest of the Rivera family who find themselves in the town center of Santa Cecilia as there skeletal forms…! (Wright me reviews for inspiration for part.2)

Hector survives the final death he bonds with his family More and More but there is one person he will always love and that person Imelda Rivera . Hector is planning to renew his wedding vowels . Imelda on the on hand still loves him and Imelda loves him more than anything. Will they go through with the ceremony ? Will the Rivera's get a happy ending after all ?

Imelda and Héctor have a late night heart-to-heart, and she realizes what it is she really wants.

It's hard for a father and son to bond when they both enjoy different things, but that doesn't mean their love doesn't exist.

Limerence: noun. the state of being infatuated or obsessed with another person, most often as the direct result of romantic attraction.

"But in the movie, Don Hidalgo poisons the drink!" (The story of how Ernesto wound up practically confessing to murder on the big screen.) One-shot.

Avarice: excessive or insatiable desire for wealth or gain (Merriam-Webster). The seeds of Ernesto's ambition were planted early in life. Pre-movie, Ernesto POV. One-Shot.

She was Mamá Imelda. Coco, her brothers, even the neighbors and their children called her that. Mamá this, Mamá that, Mamá-can-you-please. But once, years and years ago… hadn't she been something else, too?

Ernesto and Héctor leave for their tour around Mexico. Ernesto knows that this'll be their only shot at fame, and to him that's all that matters. Héctor is just happy to play his music and be with Ernesto. But a little into the tour, Héctor starts to feel homesick. Ernesto knows that he can't let Héctor leave, not when Héctor has all the talent needed to make this plan a success.

"Tu n'as que dix-sept ans lorsque tu rencontres Ernesto de la Cruz pour la première fois, et tu sais déjà que ses sourires ravageurs ne t'inspireront jamais rien d'autre que de la froideur."

Surviving the Final Death was rare, but not unheard of. It happened enough that the unfortunate, if not ironic, side effect of such an occurrence was well known. Imelda and the rest of the Riviera family were no exception, especially now that they were living it.